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The idea for this novel came to Pasolini suddenly, almost urgently; according to the author, “the story of Una vita violenta took shape almost out of the blue one night in 1953 or 1954, while I was finishing Ragazzi di vita”. The two novels share similar narrative materials and were written one after the other, thus they are somehow related: once again, the protagonists are boys from working-class suburbs of Rome, and the novel tells their stories and their tragic journey through life. The idea for this novel came to Pasolini suddenly, almost urgently; according to the author, “the story of Una vita violenta took shape almost out of the blue one night in 1953 or 1954, while I was finishing Ragazzi di vita”.
Albania: Botimet Dudaj; World English: The New York Review of Books; France: Buchet-Chastel; Hungary: Kalligram, Korea: Minumsa: World Spanish: Nordica (Castillan)/ Tigre de paper (Catalan); Turkey: Can.
Pier Paolo Pasolini (1922-1975) is a key figure in the international cultural scene of the 20th century. A well-rounded intellectual, a critical and anti-conformist author, capable of expressing himself at very high levels in poetry, literature, essay writing and journalism, as well as in cinema and the theatre.
Among his most noted films are Accattone, The Gospel According to St. Matthew, Teorema, Salò and the 120 days of Sodom. He was the author of several novels, short stories, essays, and poetry collections.
Garzanti handle world rights to all Pasolini’s works, novels, poems, essays, reportages and dramatic works.
His works have been translated into 38 languages.
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